by Bevan Thomas
(originally appeared on the Cloudscape website)
At one of Cloudscape Comics’ Wednesday meetings, I sat down to chat with Jeff Ellis, the organization’s founder, as around us numerous fellow cartoonists worked on their own projects.
In many ways, Jeff’s appearance captures the archetype of the “geek” in the best possible way; a slim, bespectacled bright-eyed man with a mouth rarely far from a gentle smile. He is approachable and unassuming, even shy, and yet when he speaks, his words are confident, thoughtful, and earnest. Dedicated to his own projects, but always interested in the works of others, welcoming to new associates but always loyal to old ones; perhaps he above anyone else embodies the creativity and openness of Cloudscape.
“You’ve spent most of your life in Vancouver?” I asked.
“Yeah. I grew-up here. Though I did live for two and a half years in Japan, from 2004 to 2007.”
“What made you decide to go to Japan?”
At this question, Jeff dropped his gaze in slight embarrassment. “I wanted a fresh start.”
“A fresh start?”
“I’d graduated from college,” Jeff began, “a three-year program in graphic design, and couldn’t find a job. Any art job, I mean. I was working retail and was sick of it; I wanted a change. A friend of mine had gone to Japan before and had found it easy to get a teaching job; so she suggested I give it a shot.”
“Did you have an interest in Japan before talking with your friend?”
“Sure. Actually, I was studying the Japanese language at the time. I had been unemployed for a few months and another friend had recommended that I take a class since it would add structure to my life.”
“Yeah, it is really important to incorporate structure if your life is otherwise without it,” I said. “You must have adapted well to Japan, considering how long you stayed there. What about the country did you love the most?”
“I loved riding the trains to and from work; the subway and light rail system there is amazing!” Jeff smiled dreamily. “I also really loved that there were ancient Shinto shrines everywhere. If you ever needed a quiet place to meditate, there was always one nearby. Oh and the food; Japanese food is great! And I ain’t just talkin’ about sushi.” He laughed. “I loved oyako-don, tako-yaki, and yaki-nikku. I guess in general I loved the peace and tranquillity, and that everyday seemed a new adventure.”
“I lived in the city of Kofu within the prefecture of Yamanashi, not far from Mt. Fuji. I could see Fuji from my balcony and I used to teach at a school at the base of it. I drew surprisingly few comics while in Japan. I guess I took a break from my life in a lot of ways, but I did lots of paintings and even had a few gallery shows. I spent way too much time at the local gaijin bar, and watched lots of quality BBC with my mate Steve. I also travelled a lot. I went from Hokkaido to Nagasaki and covered all the four islands. There’s some really lovely places there.”
It was certainly easy to see Jeff’s love of the country. As he spoke of Japan, his voice rose in excitement and his eyes gazed past me, focused instead on some flickering memory of the Land of the Rising Sun.
“Then why did you decide to leave?” I asked.
My words snapped him back to the present. “I, uh, was living there for so long that I’d basically reached a point where I had to make a choice: was I going to permanently live in Japan or return to Vancouver? If I stayed much longer, I wouldn’t be leaving.”
“Obviously you chose Canada. Why?”
“I missed my family of course. I also missed new comics Wednesday, and fine meats and cheeses. One time when I went home for a visit to Vancouver, I went to a deli on Commercial Drive and had a giant focaccia sandwich. It was heaven. I also missed new release movies and TV shows when in Japan. I –heh– I remember watching Desperate Housewives on NHK simply because it was one of the few shows I could get in English in Japan.
“But I’m not sure if those were the real reasons.” Jeff sighed wistfully. “It’s hard to put into words. In many ways, Japan was the more rational choice: I’d started to put down roots there and there were not as many job prospects in Canada. And… uh…,” Jeff smiled bashfully, “it was amazing how many young pretty Japanese women are interested in someone just because he’s relatively tall and speaks English. But I think I just felt Vancouver was the right place to be. Being in Japan finally made me realize I wanted to be in Vancouver. It was really an intuitive choice.”
“Do you ever want to return?”
“Oh, yes. If I’d the money, I’d visit Japan once every six months.”
“For how long?”
“Probably for a month each time. Yeah, that’d be great.”
“So how soon after returning from Japan did you develop Cloudscape?”
“Pretty soon. Really Cloudscape came out of Japan. I didn’t know what to do with myself after I returned to Canada, so I decided to try to do some comics again.”
“It was the Vancouver Comics Jam that connected you to local cartoonists, wasn’t it?” I asked.
“Yeah. I heard about the Jam, and it sounded really neat, numerous comic artists meeting regularly to create comics. Actually, my girlfriend at the time wanted to take a look at it, and she didn’t want to go alone, so she convinced me to go as well. I met a lot of people at the Jam, a lot of people who became important to Cloudscape. I met Jack there too, who became my roommate for a while. So the Jam really ended-up having a big effect on my life.”
“What about the Jam inspired you to create Cloudscape?”
“I saw all these really talented individuals at the Comics Jam and felt that we could meet regularly to help develop our artistic abilities. Our meetings soon became a weekly event and then I started to think ‘hey, we have all of these artists making comics – rather than spending money to do our own individual works, why don’t we work together and pool our resources to publish something?’ That’s where Robots, Pine Trees, & Broken Hearts, our first anthology, came from; it was published in 2008 and doing that encouraged us to keep going.”
“Is Cloudscape the first organization of that nature you’ve been a part of?”
“Actually, no. I tried to do the same thing back when I was 18, but it failed.”
“I’m afraid I wasn’t as good at leading back then. We had meetings and discussed printing an anthology, but didn’t have enough submissions and couldn’t get enough people interested in participating. We were going to call the organization ‘Visible Trout’ because there was a Visible Trout model in the meeting room.”
“So not as grand a creation as Cloudscape has turned out to be.”
Jeff chuckled ruefully. “No, not at all. Cloudscape’s reached the size that now it goes where it wants to go. That’s both scary and exciting.”
“It’s scary when the thing you’ve created takes on a life of its own because it means you no longer have control over it. But it’s encouraging to know that Cloudscape would continue to do things without my involvement, such as if I were too busy or moved out of Vancouver. Cloudscape would remain as a fixture in this city; it’s a legacy that I’m happy to leave.”
“Do you enjoy being the leader, or would you rather be in some other capacity?”
Jeff paused for a moment before speaking. “Initially I would have said ‘no, I don’t like being a leader.’ However, now I enjoy being in control. Heh, sometimes I say I’m a recovering perfectionist.”
“Well, I have noticed you seem to often take on a leadership role with your friends. I mean, you’re generally the person who organizes social events and brings people together.”
“Well, I’m used to leading,” Jeff said. “I’m an elder sibling, with two younger sisters and one younger brother, so I’m used to taking charge, and have often ended-up as the leader in my peer group. I really like bringing people together, something I strive for. Some of that started in Japan, where I would spearhead Christmas parties for foreigners who weren’t going back to Canada, trying to make little events happen.”
“Had you always wanted to be a comic book artist?”
“Yeah.” Jeff grinned. “I always wanted to be a comic artist. I made comics before I knew I was making comics.”
“What do you mean?”
“My dad’s a teacher and he brought home old math tests. The backs were blank and I drew on them. The pages were stapled together and on each stapled test, all the pictures I drew were of the same story, appearing in sequence.”
“What were your stories about?”
“Originally I used cartoon characters like the Ninja Turtles and the Real Ghostbusters; I was a kid,” he said sheepishly. “Then, after a while, I created my own characters.”
“Well, when I was 13, me and my friend would make superhero stories together. A lot of them were about a woman superhero called the Raven who fought crime in Vancouver.”
“Why a woman?”
Jeff almost blushed. “I was 13; I liked to draw pretty girls. She wasn’t based on Native American stories or anything. I was inspired by the Edgar Allan Poe poem. It was just kid stuff.”
“I know what you mean,” I replied. “When I was young, I created stories where a dog dressed as Superman fought a tiger dressed as the Shredder.”
“You read a lot of superhero comics as a kid,” I said.
“Yeah. I was addicted to Spider-Man until I became 23, and liked a lot of other Marvel characters as well. Also Batman.”
“I was a big fan of Alpha Flight,” I said. “Since they were Canadian superheroes.”
“I wanted to be big on Alpha Flight; it was neat that they were Canadian,” Jeff said. “When I was 16 or 17, I got a letter printed in one of the comic’s issues, showing how I’d redesign the characters so the maple leaves on their costumes would look more like the one on on the Canadian flag. But as a whole, the characters and stories in Alpha Flight didn’t attract my attention.”
“Why was Spider-Man your favourite superhero?”
“Well, heh, Spider-Man’s an awkward guy who doesn’t fit in and who, originally, had glasses. That resonated with me. Some friends took the first panel from the first Spider-Man story, where Peter’s classmates are making fun of him and he’s lonely, and they replaced the name ‘Peter Parker’ with ‘Jeff Ellis’ and it really worked.”
“Did you ever try to break into mainstream comics?” I asked.
“Yeah. It was the year before I went to Japan, back when I was unemployed. I took my portfolio down to the San Diego ComicCon. It taught me I wasn’t ready for a career as a comic artist.”
“Why not?” I asked.
“I talked to a lot of editors; showed my portfolio to a lot of people. The feedback I got back wasn’t too positive.”
“That was quite a few years ago, and your art has certainly improved since then. You never had the desire to try again?”
“Well, I’ve lost a lot of my interest in superhero comics and in working with other people’s characters, so working for Marvel or DC doesn’t really appeal to me anymore.”
“Who would you call your biggest artistic influences?”